美国发烧厂牌Analogue Productions推出的Blue Note经典爵士录音的SACD再版产品，再次成为行业内关注的焦点。 1983年，美国肯萨斯州的一间单身公寓里，Chad Kassem开始了他的收集和邮寄销售绝版黑胶LP的生意。1991年2月21日，Chad成立了Analogue Productions公司，专注于再版优秀爵士蓝调音乐的业务。在短短20多年间，他拥有了自己的录音室Blue Heaven，并和他人组建了目前世界上最著名的黑胶LP生产厂之一RTI。由于Analogue Productions坚持只使用原始模拟母带作为再版录音的源头，再加上Doug Sax，Steven Hoffman和Kevin Gray等顶级再版录音师的鼎力相助，Analogue Productions再版的爵士蓝调录音唱片已成为发烧友的不二之选。 这款弗雷德•杰克逊的名作《Hootin' 'N Tootin'》即是Analogue Productions这一系列经典录音中最值得关注的产品之一。弗雷德•杰克逊是受到重度南方灵魂乐影响的爵士萨克斯风手，在爵士乐界颇有影响力。《Hootin' 'N Tootin'》是他最具代表性的录音。 by Stephen Thomas Erlewine Unjustly ignored at the time of its release, Fred Jackson's lone album, Hootin' 'N Tootin', is a thoroughly enjoyable set of funky soul-jazz with hard bop overtones. It is true that Jackson doesn't try anything new on the set, but he proves to be a capable leader, coaxing hot, infectious performances out of guitarist Willie Jones, organist Earl Vandyke and drummer Wilbert Hogan, all of whom were collegues of Jackson in the Lloyd Price band. All of the songs on the album are Jackson originals, and while there are no substantial, memorable melodies, they provide an excellent foundation for the group's smoking interplay. Both the uptempo R&B numbers and the slower blues give the musicians plenty of opportunity to flaunt their chops while working the groove, and the result is a modest but highly entertaining set of earthy, bluesy soul-jazz that should have been heard by a wider audience. Blue Note's 1998 CD reissue adds all of the material from the second and final session Jackson led. All seven tracks from that session are in the same soul-jazz vein and feature the same group, augmented by bassist Sam Jones. Their presence on the reissued Hootin' 'N Tootin' makes an already fine album even better.